Saturday, January 31, 2009

A&P

I had a very short relationship with John Updike. I know, a great man of American letters, he was marvelously productive career. But I never read the novels, not the Rabbits or the Witches or really anything else save a few short stories. And maybe this explains my relatively messed up outlook on the world literature, but essentially I do end up getting a lot of my general judgments through my relationship to shorts. Whatever. I will shamelessly stick to that, understanding that the the bulk of the reading world holds writers more to their novelistic achievements versus work in the shorter, more direct and hybridized form. (quick bit of gm/sf lit theory: because of the limitations of style, the weight of each word in a short more often approaches the rules of poetry, but I'm digressing and not caring much.)

Anyway, my first taste of Updike was in a non-counting English course on Short fiction back at the University of Delaware. The story: "A&P." Funny enough, it's online, so read it and enjoy:
http://www.tiger-town.com/whatnot/updike/

So of that generation, what's left? Vonnegut is long dead. Bellow passed, probably swatting the Grim Reaper in the nose on the way out. Stanley Elkin -- whose A Poetics for Bullies stands as one of my favorite shorts, period -- has been relegated to obscurity. Philip Roth now seems intent on only writing about the inevitable, to varying (mostly bad) degrees of success.

Well, in some ways it's about time. I would comment more, but the entire damned generation in some ways, while hitting a lot of the realistic flaneur notes (Thanks, James Wood), ultimately created a body of work that never punched me in the gut, with the few noted exceptions. That's my $0.02, but frankly for all its histrionics a lot of it felt flat. Whatever. A pure stylist can be decent but is ultimately lacking in emotional heft, a champion of the people dates him- or herself the second the words are put to page, a culture-specific icon can ultimately only go so far as the confines of cultural experience will allow: everything else will seem alien and somehow lack the all-important cultural punch to an Auslander of that culture. It's still going on, and at some point it's all navel-gazey, anyyway.

Okay, that was a tangential rant, my apologies if you all started to zone out there. My last image of Updike: on Charlie Rose a few weeks back, he was describing what it was like to revisit the Witches of Eastwick for his most recent title. And it was almost sad to watch somebody who I'd held in some esteem try to talk about lesbianism, etc. on a talk show. He sounded like a cross between a dirty old man and the prudish schoolnun. It's a weird combo, but he pulled it off. (btw, sorry about not being able to embed -- here's a link to the clip:
http://www.charlierose.com/view/interview/9495)

So I lost my train of thought after that one. Guess I shouldn't be so surprised -- I've probably bored the shit out of all you all anyway. Time for more coffee.

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